For The Whole Family!

Jason Kuykendall is a proud member of the B Street Theatre’s Acting Company. He has performed in over 50 productions here, including The Big Bang, The 39 Steps, The Nibroc Trilogy, The Hound Of The Baskervilles, The Explorers Club, Who’s Afraid Of Virginia Woolf?, House On Haunted Hill, and many more. Favorite regional credits include A Long Days Journey Into Night (Edmund) and the world premiere of Lanford Wilson’s translation of Henrick Ibsen’s Ghosts (Oswald) with Arizona Theatre Company, Of Mice And Men (Lenny) and The Importance Of Being Earnest (Ernest) with Sacramento Theatre Company, The Elephant Man (Treves), The Country House (Michael), And Around The World In 80 Days (Phileas Fogg) with Theatre works, Cat On A Hot Tin Roof (Brick) with St. Louis Rep, Cincinnati Playhouse, and Phoenix Theatre, and Les Liaisons Dangerous (Valmont), Ideation (Brock), and Stupid F#%*ing Bird at Capitol Stage. Mr. Kuykendall also produces, directs, and edits for the camera. Visit NKMedia.biz for his feature film, documentary, commercial work and more.

John is a proud member of the B Street Theatre Core Acting Company. Mainstage credits include Airness, One Man, Two Guvnors, The Book of Liz, Juno and the Paycock, Jack Goes Boating, the Seafarer, and The Explorer’s Club. Family Series credits include: The Lion, the Witch, & the Wardrobe, Junie B. Jones Is Not A Crook, Going West: The Story of the Transcontinental Railroad and The Garden of Rikki Tikki Tavi. B Street Theatre directing credits include: Hand to God, Women who Steal, The Tale of the Allergist’s Wife, Earshot, The Maintenance Man, Beauty and the Beast, and The Big Bang.

Greg is the Director of Education as well as a member of the B Street Theatre Core Acting Company. Recent Mainstage credits include: The Lost Claus, A Child’s Christmas in Reno, Popcorn Falls, Holmes and Watson, The House On Haunted Hill, and One Man, Two Guvnors. Recent Family Series credits include: The Wizard of Oz, A Christmas Carol and Treasure Island. His directing credits include History Extravaganza IV, Every Brilliant Thing and Alice in Wonderland. Writing credits include Going West: The Story of the Transcontinental Railroad, Alice in Wonderland, and The Golden Harp. As Director of Education he oversees workshops in schools, hospitals, community centers, and correctional facilities, as well as class offerings with B Street’s Conservatory and Studio for Young Actors. Greg lives in Sacramento with his wife Sean and their Westies, Quincy Magoo & Finnegan Hooligan.

Amy is a member of the B Street Theatre Core Acting Company. Recent Mainstage credits include: Lovers & Executioners, Dance Nation, The House on Haunted Hill, The Ladies Foursome, One Man, Two Guvnors, Treatment. Recent Family Series credits include: A Christmas Carol, Charlotte’s Web, The Sword in the Stone and The Wizard of Oz. Writing credits include: Treatment and Surprise Party at the End of the World (New Play Brunch - October 2018). Amy is also a teaching artist with the B Street Theatre Conservatory. You can see her sing with her band Mustache and Cleavage upstairs @the B. Her film credits include Nick and Tristan Go Mega Dega (2010), West Hollywood Motel (2013), Honest Abe the Backstory (2020) and many others. She was featured in one of LA’s longest running comedy shows All About Walken: The Impersonators of Christopher Walken. TV credits include Free Radio, New York Goes to Hollywood and Netflix's Thirteen Reasons Why. Special thanks to all at the Sofia, the incredible cast of Frog and Toad, her family, her spouse and their three children.

Jerry has been with the B Street Theatre for 17 years and is currently the Executive Producer. He has been a director, writer, actor, designer and stage manager in professional theatre for 30 years. For B Street he recently directed The Legend of Georgia McBride, as well as many others including: A Skull in Connemara, Red, The Seafarer and What the Butler Saw. He has written over 10 plays for the Family Series including Treasure Island, The Flying Machine and Frankenstein. His play Love And Baseball received its world premiere at B Street in 2016.

Sean is an Artistic Associate at the B Street Theatre. Recent Family Series credits include: Gandhi and Robin Hood. Recent directing credits include: Small Steps (New Comedies Festival-2018), Fantasy Festival XXXII, and History Extravaganza IV. Writing credits include: Mathematical Madness, Fantasy Festival XXXII, Fantasy Festival XXXI, History Extravaganza IV, History Extravaganza III, A Yippie’s Day in Disneyland (2018 Intern Showcase) and Tiny Resurrections (2017 Intern Showcase). Recent Regional Theatre credits include: The Behavior Of Broadus (Capital Stage), The Whipping Man (Sacramento Theatre Company), Twelfth Night (Pacific Repertory Theatre), and Sense & Sensibility (Livermore Shakespeare Company). As a playwright, his plays have been produced by the Sacramento Theatre Company (Kings of America), Watermelon Theatre Festival (Prayer), Rover Dramawerks (Brynlee & the Bull), and Torrent Theatre (An Ordinary Woman), among others. His play, An Ordinary Woman, is published in the 2017 edition of Stage It! Ten Minute Plays.

Robert Karma Robinson (actor, singer, ex-dancer, man in the street, Johnny on the spot, self-proclaimed Batman) is a Brooklyn/Houston native. Most might remember his B Street debut in the short-lived run of Byhalia, Mississippi in 2020. When the pandemic shuttered the Sofia, he became a consistent fixture in the B Social online offerings. When the Sofia re-opened he returned as a full-fledged B Street Company Member in Dance Nation. YAY HEY! Some of his most notable credits include Driving Miss Daisy at The Vineyard Playhouse on Martha's Vineyard, as well as the world premiere of Expedition Six (written/dir. Bill Pullman) at the Kennedy Center. He originated roles in Ricardo Khan's Satchel Paige and the Kansas City Swing and Fly at Saint Louis Rep. and Cincinnati Playhouse In the Park, respectively. One of his favorite roles was Tom Robinson in Montana Repertory Theater's national tour of To Kill A Mockingbird for the 50th anniversary of the book. Rob received his BFA from the University of Evansville and then MFA from the National Theatre Conservatory. He is glad to be working to live rather than living to work as so many are in these trying days! One love.