A Brand-New, World Premiere Musical!

Stephanie is a B Street Theatre Core Company Member. Recent Mainstage credits include: Dracula: A Comedy of Terrors, Pickleball, Cosmo St. Charles is Dead and Someone in this Room Killed Him, Snow Fever: A Karaoke Christmas, The Play That Goes Wrong, The Last Wide Open, Charade, Dance Nation, One Man, Two Guvnors, Airness, We’re Gonna Be Okay and The Last Match. She co-starred in and co-wrote Treatment with company members Tara Sissom and Amy Kelly. Upstairs at the B credits include: Maximum Occupancy and Seekers of the Strange. Other Mainstage credits include: Hand to God, Speed-the-Plow, Handle with Care, 5 Lesbians Eating a Quiche and The Explorers Club, and many more. Family Series credits include: ‘Tis the Season: A Celebration of Holiday Stories, A Year with Frog & Toad, ‘Tis the Season, Charlotte’s Web, Alice In Wonderland, Robin Hood, Frankenstein, and others. Regional Theater credits include: Alabaster, Slowgirl, reasons to be pretty, and Clybourne Park (Capital Stage). For Smooch and the boys.

Amy is a member of the B Street Theatre Core Acting Company. Recent Mainstage credits include: Dog Mom, Dracula: A Comedy of Terrors, Jeeves & Wooster in Perfect Nonsense, Pickleball, The Play That Goes Wrong, The Lost Claus, Lovers & Executioners, Dance Nation, The House on Haunted Hill, The Ladies Foursome, One Man, Two Guvnors, and Treatment. Recent Family Series credits include: A Christmas Carol, Charlotte’s Web, The Sword in the Stone, The Wizard of Oz, A Year with Frog and Toad, The Flying Machine, Winnie the Pooh, Tiny Trailblazers: Kids Who Changed The World, and Harriet Tubman & The Underground Railroad. Other theatre credits include Alabaster at Capital Stage. Writing credits include: Treatment, Surprise Party at the End of the World (New Play Brunch - October 2018) and Amnesia A Love Story. Her film credits include Nick and Tristan Go Mega Dega (2010), West Hollywood Motel (2013), Honest Abe the Backstory (2020) and many others. She is currently co-producing a documentary film out of Nashville. Special thanks to her spouse and children, her family, her dear sister Emily and her resilient mother Maggie Ward. Dedicated to the memory of MJW and KW. Keep up with her on Instagram and Tiktok: @Amykellytv

Sean Patrick Nill is Artistic and General Manager at the B Street Theatre. B Street Writing Credits include: Never Fear, Shakespeare!, Tiny Trailblazers: Kids Who Changed the World, Winnie-the-Pooh, ‘Tis the Season, Fantasy Festival XXXI-XXXVI, Mind Boggling Mysteries of the World, and Mathematical Madness. Directing Credits include: Jeeves & Wooster in Perfect Nonsense, Tiny Trailblazers: Kids Who Changed the World, Cosmo St. Charles is Dead and Someone in This Room Killed Him, The Prince of Lightning, The Play That Goes Wrong, The Last Wide Open, A Year with Frog & Toad, Proclivity for Kiting, and Fantasy Festival XXXI-XXXVI. His plays have been produced by the Sacramento Theatre Company, B Street Theatre, Children's Museum & Theatre of Maine, Rover Dramawerks, Theatre InspiraTO festival, Watermelon One Act Festival, M.T. Pockets Theatre, Torent Theatre, and the Manhattan Repertory Theatre. His play Kings of America was a finalist for the Davey Foundation Theatre Grant given by the Salt Lake Acting Company, his play An Ordinary Woman was published in Stage It! Ten Minute Plays: 2017 Edition, and his play Brynlee & the Bull won the Audience Choice Award at the InspiroTO 10 Minute Play Festival in Canada. His adaptation of Winnie-the-Pooh, which premiered here at the B Street Theatre, is now published and can be purchased through Theatrical Rights Worldwide (https://www.theatricalrights.com/).

Tara is the Theatre for Young Audiences Director and a member of the B Street Theatre Acting Company. Recent Mainstage credits include: Around the World in 80 Days, Working for Crumbs, A Christmas Carol, The Art of War, The White Chip, The Play That Goes Wrong, Proclivity for Kiting, Byhalia, Mississippi, The Ladies Foursome, Airness, One Man, Two Guvnors, The House On Haunted Hill, and A Doll’s House, Part 2. Writing credits include: Marie Curie & The Sisterhood of Science, Treatment, Ride Sally, Ride! and Rescue Me. Tara is a member of the Upstairs at the B improv group, Maximum Occupancy, and Seekers of the Strange. A founding member of The New Colony in Chicago, Tara also performed in The Goodman Theatre’s production of The Iceman Cometh at the Brooklyn Academy of Music. Tara holds a BFA in Music Theatre from Elon University.

Hunter Hoffman is an actor and musician based in Sacramento, CA and is a B Street Theatre Core Company Member. Main Stage credits: The White Chip, A Christmas Carol, Insertion, Jump, Wipeout, The Last Match, On An Open Fire, and The Last Wide Open. Family Series: Never Fear Shakespeare, Harriet Tubman & The Underground Railroad, and Once Upon A Time. Hunter also was a fight choreographer for the B Street productions of Misery, The Play That Goes Wrong, Ms. Holmes & Ms. Watson, and Charade. Broadway: Sweat. National Tour: Oklahoma! (Broadway National Tour), Sweat (Public Theater Mobile Unit National). Off-Broadway: Troilus & Cressida (NYSF). Regional Theatre: Love, Love, Love (Studio Theatre - DC), Now Circa Then (Capital Stage), Clarkston (Boise Contemporary Theatre), Shakespeare in Love (New Stage Theater), The Merchant of Venice (Gallery Players), Romeo & Juliet, Much Ado About Nothing (South Brooklyn Shakespeare). Hunter is also developing a one person musical comedy entitled If The World Came To An End in collaboration with M. Graham Smith with all new, original music. You can also listen to Hunter’s original music under his recording alias, The Lost Wayne, on all streaming platforms. Thanks, as always, to Hoffsquad and his forever Squeak. IG: @thelostwayne

Fatemeh is an Iranian performing artist, receiving her associate’s of theatre arts from American River College and bachelor’s of science from California State University, Northridge. She’s so excited to be back at family series after playing Ruth in ONCE UPON A TIME!! Her work combines her passion for performance with her passion for advocacy. These days Fatemeh spends her time with her friends, family, and two kitties Luci and Kizmo! She hopes you love the show and have so much fun!!!

Greg serves as B Street Theatre’s Director of Education and member of the Core Acting Company. Recent Mainstage credits include: DOG MOM, DRACULA: A COMEDY OF TERRORS, THE WHITE CHIP, PICKLEBALL, SNOW FEVER: A KARAOKE CHRISTMAS, THE PLAY THAT GOES WRONG, and THE LOST CLAUS. Recent Family Series credits include: ONCE UPON A TIME, HARRIET TUBMAN AND THE UNDERGROUND RAILROAD, NEVER FEAR SHAKESPEARE, and THE FIRST ADVENTURES OF THE HARDY BOYS. Along with writing partners Clifford Lee Johnson III and Jane Kelley, Greg helped write the TYA musical GRACE & THE BUTTERFLY EFFECT, which was selected for development by the Johnny Mercer Foundation’s New American Musical Writers Grove at the Goodspeed Opera House in East Haddam CT. GRACE will have its premiere as part of B Street’s Student Matinee series in 2026! As Director of Education he oversees workshops in schools, hospitals, community centers, and correctional facilities, as well as class offerings with B Street’s Conservatory and Studio for Young Actors. Greg lives in Sacramento with his wife Sean and their Terriers, Finnegan Hooligan & Angus McGillicuddy.

JANE KELLEY is the author of many award-winning kids’ novels and non-fiction books, including GRACE AND THE BUTTERFLY EFFECT. Her creative life began in the theater. After graduating from Northwestern University, she apprenticed at Actors Theater of Louisville where she met her collaborators Greg and Lee. She moved to New York City, started writing, got married, and raised a daughter who inspired her to write for kids. Many years and many books later, she and her husband moved to the edge of a magical woods in Fairy Chasm, Wisconsin. She’s so happy to be working in the theater again. A huge thank you to everyone at B Street Theatre for helping bring her novel to life. For more information about Jane’s other books, please visit https://janekelleybooks.com/

CLIFFORD LEE JOHNSON III [CLJ3] is a writer and producer who specializes in creating new plays and musicals. Between 2009 and 1993, he was the Director of Musical Development at Manhattan Theatre Club; prior to that he was the Assistant Literary Manager at Actors Theatre of Louisville. Among other things, he has been a critic for BACKSTAGE and published articles on the theater in various publications. He served as a dramaturg at the Johnny Mercer Writers Colony at Goodspeed Musicals and consulted during the creation of the National Constitution Center in Philadelphia. His vocal group Rudy’s Jukebox has performed all across the country and will become the vehicle for a theater piece about “maturity” in the next few years. As part of Wonder City Productions, he is creating a Broadway musical centered on the life of an American icon. CLJ3 is especially proud of participating in a citizen-scientist effort to discover new planets. So far, he has one to his credit. Spouse: Jane Kelley. Daughter: Sofia. Dwelling: Fairy Chasm, WI.

John is a member of B Street's Core Acting Company and the creator and host of Seekers of the Strange. His time with B Street theatre has spanned over 30 years, during which he has worked in almost every aspect of performance and production. Mainstage credits include Dracula: A Comedy of Terrors, Jeeves & Wooster in Perfect Nonsense, Pickleball, Cosmo St. Charles is Dead and Someone in this Room Killed Him, Snow Fever: A Karaoke Christmas, The Play That Goes Wrong, Proclivity for Kiting, The Lost Claus, Lovers & Executioners, A Child’s Christmas in Reno, The House On Haunted Hill, Airness, One Man, Two Guvnors, The Book of Liz, Jack Goes Boating, The Seafarer, The Realistic Joneses, and The Explorer’s Club. Family Series credits include: Never Fear, Shakespeare!, The Flying Machine: The Story of the Wright Brothers, Ride Sally Ride, The Wizard of Oz, Charlotte’s Web, and The Lion, the Witch, & the Wardrobe. B Street Theatre directing credits include: Dog Mom, Winnie-The-Pooh, Hand to God, Women who Steal, The Tale of the Allergist’s Wife, Earshot, The Maintenance Man, Beauty and the Beast, and The Big Bang.

Kay is happy to return to B Street Theatre after collaborating on many of their cabarets and this year's early workshop of the new musical DREAM DREAM DREAM. Currently performing onstage as Alice in BRIGHT STAR (Lincoln Theatre Company), she has 20 years of work as a Music Director, performer, and pianist in the NorCal region. Some recent favorite MD projects include CINDERELLA (Sierra Theatre Company), AVENUE Q (Second Wind Entertainment), THE SPONGEBOB MUSICAL (Woodland Opera House), and IN THE HEIGHTS (Woodland Opera House). Kay has worked on the artistic staff of many local organizations, including Broadway Sacramento's Broadway Studio, the Confluence Arts Project, and nearly a decade as the former Asst. Artistic Director and Principal Accompanist for the Sacramento Gay Men's Chorus. She'd like to thank B Street for their continuous pursuit of amazing new projects in musical storytelling, and Marcus for his consistent love and support through all of the schedule craziness.

You may have seen Jacob’s choreography in The Legend of Georgia McBride, The Wizard of Oz, Dance Nation, A Year with Frog and Toad, ‘Tis the Season: Around the World, and Wipeout. His work was recently presented at the Scottish Fringe Festival in Edinburgh for the third consecutive year. Jacob has worked on the artistic staff of various organizations, including The Sacramento Ballet, Capital Stage, Broadway Sacramento, UC Davis (Artists in Residence), and B Street Theatre, where he presently works as Director of Development and Community Partnerships. Jacob is also the founding Artistic Director of Sacramento Contemporary Dance Theatre, a proud partner of The Sofia.

Colleen is happy to be returning to B Street Theatre for the 2026 season. At B Street, she’s stage managed: AROUND THE WORLD IN 80 DAYS, WORKING FOR CRUMBS, FRANKLINLAND, AN IRISH GOODBYE, MISERY, A CHRISTMAS CAROL, THE ART OF WAR, and DRACULA: A COMEDY OF TERRORS. Other Sacramento credits include: THE CRUCIBLE, A CHRISTMAS CAROL, NORTHANGER ABBEY, A MIDSUMMER NIGHT’S DREAM, HAMLET, and DISASTER: THE MUSICAL at Sacramento Theatre Company; BAD JEWS and LUNA GALE at Capital Stage. Regionally, she has worked with: New London Barn Playhouse, ACT of CT, Oregon Cabaret Theatre, San Francisco Playhouse, Commonwealth Shakespeare Company, Mixed Blood, Studio Theatre of DC, and Utah Shakespeare Festival, among others. Colleen holds a BA in Theatre from Humboldt State University and an MFA in Stage Management from Columbia University and teaches in the Departments of Theatre Arts at American River College and Sierra College.